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Conceived and structured by Lawrence Leritz with a witty book by Steve MacKinnon, the high-energy production uses Wallis's legendary, once-censored catalog—including \"The Dinghy Song\" and \"Dr. Freud\"—to score a series of hilarious, pastel-hued vignettes lampooning 1950s suburban repressiveness, sexual awakenings, and marital absurdities. 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